Listen here: 92: Geto Boys: We CanвЂ™t Be Stopped (design by Cliff Blodget) The fact that it looked remarkably low budget only made it funkier. George ClintonвЂ™s gonzoid take on outer-space adventure found its perfect match in the effortlessly cool spaceship-party cover for ParliamentвЂ™s Mothership Connection. Listen here: 93: Parliament: Mothership Connection (photo by David Alexander, design by Gribbitth) Inspired by the albumвЂ™s themes of the subconscious, the dark sleeve of Billie EilishвЂ™s When We All Fall Asleep, Where Do We Go? served notice that Eilish was here to mess with your head. Since people were already using LPs to store and clean marijuana, the Airplane gave you a cardboard box holder for it, along with the pot, or at least a realistic-looking photo.Д©4: Billie Eilish: When We All Fall Asleep, Where Do We Go? (design by Kenneth Cappello)ДЄny artist who dares to look this terrifying on the cover of their first album deserves all the platinum success they get. Jefferson AirplaneвЂ™s Long John Silver hails from the golden age of elaborate album covers. On an album that made a mad dash through the whole of pop history, Nick Lowe pictured himself in a bunch of different guises, from rockabilly hoodlum to sensitive balladeer (there were different pics on the US and UK versions), all with tongue firmly in cheek.Д©5: Jefferson Airplane: Long John Silver (design by Pacific Eye & Ear) As he rapped on Wu-TangвЂ™s вЂњDog Sh_t,вЂќ: вЂњGot meals but still grill that old good welfare cheese.вЂќД©6: Nick Lowe: Jesus of Cool/Pure Pop for Now People (design by Barney Bubbles) Forgoing any blinged-out tropes, the former Wu-Tang member put a doctored version of his welfare ID card on the front cover of his solo debut, as both a reminder of where he came from and to destigmatize being on public assistance. Whenever hip-hop started to take itself too seriously, ODB was there to disrupt, agitate, and give the middle finger to convention. Listen here: 97: OlвЂ™ Dirty Bastard: Return to the 36 Chambers: The Dirty Version (design by Alli Truch, photo by Danny Clinch) Put the notorious bathroom cover together with the engraved invitation on the US replacement, and youвЂ™ve got the yin and the yang of The Rolling Stones at the time. Listen here: 98: The Rolling Stones: Beggars Banquet (design by Barry Feinstein)Д«eggars Banquet is a rare case where an albumвЂ™s two famous covers really complement each other. The red velvet cover, with gold embossed lettering, served notice that Odessa was going to be unique and beautiful, which it was. If The Beatles could do a double вЂњ White Album,вЂќ the Bee Gees could do a fuzzy red one. On their 1969 debut, the cavorting characters were there to remind you how much fun rockвЂ™nвЂ™roll was supposed to be. This, along with accusations of selling out, prompted an angry response from Bennington.Bandleader Cyril JordanвЂ™s terrific comic art has turned up on numerous The FlaminвЂ™ Groovies covers and posters over the decades.

Despite a positive commercial performance, it received mixed reviews from music critics. The album performed well commercially, debuting at number one in several countries it also became the band's fifth number-one album on the Billboard 200 and was certified Gold in five countries. 'Talking to Myself' and 'One More Light' were released as radio singles later on. 'Battle Symphony', 'Good Goodbye', and 'Invisible' were released as promotional singles prior to the album's release. The album's lead single, 'Heavy', featuring Kiiara, was released on February 16, 2017. The album is also the band's first to feature a title track, as they felt that the song 'One More Light' was the heart of the album. The album features guest vocal appearances from Pusha T, Stormzy, and Kiiara, and production and songwriting collaborations with JR Rotem, Julia Michaels, Justin Tranter, Ross Golan, Andrew Goldstein, blackbear, and Eg White. The sound of One More Light has been described as being more pop-focused, departing from the alternative rock and alternative metal sounds of their previous albums. Band members Brad Delson and Mike Shinoda served as the album's primary producers. The band recorded the album between September 2015 and February 2017 in multiple studios. It is the last Linkin Park album to feature lead vocalist Chester Bennington before his death on July 20, 2017. It was released on May 19, 2017, through Warner Records and Machine Shop. One More Light is the seventh studio album by American rock band Linkin Park.

One more light album artwork